| Writing for Kids and Tweens | | My first book was rubbish. Even I knew that. The second book worked its way through the slush piles of at least 8 publishers. At last I tried Scripture Union, which I’d avoided because I didn’t want my book to be filed in the Religious section
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| | Kathy Lee |
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| Show Don't Tell | | Writing books always tell us that it is vital that we "show, don't tell", but then they don’t explain what that phrase actually means. So here's a beginner's guide to Show, don't tell.
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| | Dawn Copeland |
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| Making Interesting Dialogue | | Good dialogue flows like a stream. Bad dialogue reads like a waterfall dashing against the rocks. It’s excruciating to read and your readers wouldn’t thank you for wasting their hard earned money on your book either.
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| | Abidemi Sanusi |
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| Characterisation in the Fiction Novel | | Not everyone can identify with a serial killer but everyone can identify with his desire to eat when he is hungry. Not everyone can identify with a single parent, but every parent can identify with those once-in-a-while moments of frustration
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| | Abidemi Sanusi |
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| Of Chick Lit and Jesus Freaks | | The image of the church as a dying but enduring institution is one that many church leaders seek to overturn as they seek to present the gospel in a relevant and dynamic way to the public. There is a market of video games and new media opportunities...
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